From American Cinematographer, Of Loss and Hope by Zade Rosenthal (March 1999)
"The only additional lighting we did was on a couple of takes where I hand-held an LTM 200w HMI with a Chimera and a 30 degree honeycomb, in order to pick out Whoopi [Goldberg] and give her a bit of fill. Both Stephen and I like to use the Chimeras, especially with the honeycombs, because they make such a greatly controlled soft source. I could pick out Whoopi with the 200w HMI and not hit Michelle [Pfeiffer] at all."
- Les Kovacs, Gaffer for Stephen Goldblatt, ASC on The Deep End of the Ocean
I read, discuss, and discover new things about cinematography everyday. Most of it, I consider incredibly interesting. Everyday I will share one of those things, maybe more if I have time.
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go raibh maith agat!
-Ryan