From American Cinematographer, This Old House by David E. Williams (August 1999)
"Jan and I were both against frosting the glass, because then the room would feel like the inside of a giant ping-pong ball," Lindenlaub details. The glass panels in the Greenhouse were therefore painted and then scraped to look dirty yet transparent, allowing the camera to see just beyond them.
I read, discuss, and discover new things about cinematography everyday. Most of it, I consider incredibly interesting. Everyday I will share one of those things, maybe more if I have time.
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I am always open to relevant, professional feedback, opinions and critical critique.
go raibh maith agat!
-Ryan