From American Cinematographer, Sword Pen & Family by Eric Rudolph (October 1998)
Trying to capture the setting sun in a series of shots that included dialogue was, of course, a challenge for Fabre. Additionally, the crew had only a few hours spread over two days to shoot the scenes. Only a third of the scene used real sunsets; the rest was re-created with gelled lights and filtration.
"When Channe was in the house putting on the record, it was actually raining. To simulate the setting sun, I used a 6K HMI outside with a 1/2 orange gel. I cheated by closing a curtain on the window. When the characters are on the porch, the sunset you see through the windows is real. Naturally, the sunset did not last nearly long enough for the dialogue scenes, so for those we used gelled lights and an orange lens filter. The orange filter was also used for the film's final shot."
- Jean-Marc Fabre